Saturday, 14 April 2018

Second bite of the cherry . . .



Cherry Blossom II
mixed media watercolour by Teresa Newham

The cold weather continued right to the end of March this year, with snow on the ground in the South of England barely a fortnight before Easter.  The few blossoms which had dared to emerge on my neighbour's tree froze in the chilly wind.


this year's blossom
© Teresa Newham

The blossom is fully out now; perhaps not as spectacular as in some years, but still providing a welcome splash of colour as the gardens recover from what one of my friends described as "eternal winter".


the original Cherry Blossom watercolour
© Teresa Newham

That tree has inspired a couple of paintings in its time: last year it was a mixed media watercolour Flowering Cherry, and a couple of years before that a pen and wash called simply Cherry Blossom.


brightening up the background
© Teresa Newham


My favourite painting is always the next one, so when I do look back at my old work, I'm often pleasantly surprised.  Not with Cherry Blossom, however - it's never felt quite right - and once Flowering Cherry was finished, I knew it needed a re-think.



emphasising the foreground
© Teresa Newham


This year I embarked upon whole series of renovated watercolours, of which Cherry Blossom II is the latest: washed off and reinvigorated with Permanent Alizarin Crimson, Permanent Sap Green and metallic copper ink, and remounted. And at last I can say I'm happy with it!



revitalised painting in new mount
© Teresa Newham



Thursday, 29 March 2018

The New Covenant



The New Covenant
original linocut by Teresa Newham



This year's Easter card is a celtic cross design - it has an unending knot pattern, and is roughly printed to add energy to the image.  The Cross stands for Jesus' sacrifice and the circle represents the sun (Son) rising from the dead.  The graduated tint refers to the first Covenant which God made with mankind, as described in Genesis 9:12-13:

And God said, "This is the sign of the covenant which I make between me and you and every living creature that is with you, for all future generations: I set my bow in the cloud, and it shall be a sign of the covenant between me and the earth."

Another word for Covenant is Testament.  There are several more Covenants in the Old Testament - one of which, with Moses, institutes the Jewish Passover meal.  The Last Supper is itself, of course, a Passover meal, during which Jesus institutes the New Covenant.  You can read more about the signs and significance of the various Covenants here.

May you all have a blessed and peaceful Easter!






Tuesday, 13 March 2018

snowdrops & hellebores


Snowdrops & Hellebores
original watercolour by Teresa Newham


Snowdrops and hellebores are the first plants of the year to flower in my garden.  The hellebores start to push their way up by the end of January, reminding me to tidy away last year's foliage; the snowdrops - a relatively late variety - emerge in February.


source materials & initial sketches
© Teresa Newham


The snowdrops are particularly precious because I transplanted several clumps of them from my Dad's garden a few weeks after he died; they were flowering at the time of his funeral in early March. To me they are a sign of hope and a promise of better (and warmer) things to come.


laying out a design on Arches watercolour paper
© Teresa Newham

At one point our late winter weather was so inviting that I thought it might be possible (with the help of various layers and a pair of fingerless gloves) to venture outside and paint the flowers en plein air.  But then the snow came - several inches of it - and they disappeared completely from view . . .


basic washes of Transparent Yellow, Permanent Sap Green
and Cobalt Blue over masking fluid
© Teresa Newham

To my delight both reappeared again after the thaw; the hellebores in particular seemed to have gained a new lease of life, with so many stems branching up that I had to leave some out when deciding on the composition for the painting.


adding detail
© Teresa Newham

As ever, the final result says more about how I feel when I visit that part of the garden than any photograph could - the delicate snowdrops and the vigorous hellebores glowing as the days start to lengthen and the birdsong increases. Spring is coming!


the finished painting
© Teresa Newham








Tuesday, 27 February 2018

Asters revisited


Asters (revisited)
original watercolour by Teresa Newham

Following the successful revamp of my Hyacinths painting, I turned my attention to Asters.  This is a favourite of mine, made as a demo at Open Studios a few years back, and I didn't want to alter it drastically; I wondered if simply remounting it would do:


trying the original version in a new mount
© Teresa Newham

I came to the conclusion that something more was needed.  The background looked distinctly wishy-washy and there was too much yellow; so I removed as much of the original colour as I could and strengthened the background with Permanent Sap Green and Permanent Alizarin.


playing with the background
© Teresa Newham

This worked well; I re-did the flowers with Permanent Alizarin, and they started to sing against the green.  The leaves and stems were going to need similar treatment.


bringing out the flowers
© Teresa Newham

The end result in the new mount looks subtly different to the original - so subtle that I sometimes have trouble telling photos of the two apart.  Which means I haven't ruined one of my favourite paintings!


the revamped painting
© Teresa Newham

Tuesday, 13 February 2018

Lourdes in the light



view from the top of the Rosary Basilica towards the Domain
© Teresa Newham

It was wonderful to make the Parish Pilgrimage to Lourdes for Our Lady's feast day again!  The beautiful sunshine showed off the mosaics on the facade of the Rosary Basilica to their best advantage, and added a glow to the ones inside.


mosaics outside and inside the Rosary Basilica
© Teresa Newham

As we made our way from the Basilica towards the domain the trees were stark against the sky and dusted with snow, while flowers were already being left at the railings around Our Lady's statue, as thousands of pilgrims arrived from all over the world.


glorious views
© Teresa Newham

Along the steep path to the Upper Stations of the Cross there was a stunning view of the Pyrenees. Mistletoe crowded the branches of the trees above us, while in front and behind we could hear groups praying and singing in a multitude of languages.


the Crucifixion - one of the Upper Stations of the Cross
© Teresa Newham

The Stations themselves are large cast iron figures showing Jesus' path to his Crucifixion - the most dramatic sculpture of all, which was lit from behind by the setting sun.  We paused before each of the fifteen Stations in turn to make our own prayers.


pilgrims
© Teresa Newham

As the feast day drew nearer, more and more coachloads of pilgrims appeared, many with candles of various sizes, others with banners, flags and even a guitar.  The largest candles represent the prayers of a parish or a whole diocese.


pilgrims' candles at the Chapel of Light
© Teresa Newham

The candles were bound for the Chapel of Light - a collection of booths on the river bank opposite the Grotto. Pilgrims place their candles in one of the hundreds of candle holders with a prayer - for a loved one, a sick relative, a friend in distress.


pilgrims lining the river bank at the Grotto
© Teresa Newham

Perhaps because the feast day fell on a weekend, I have never seen such crowds at Lourdes before. As  I made my way through them I paused to add my own prayers at the Grotto to those of the thousands of people lining both banks of the river: Ave, Ave, Ave Maria!


the River Gave, looking towards the Domain
© Teresa Newham







Monday, 29 January 2018

what happens if . . . ?



Hyacinths II
original pen & wash by Teresa Newham

A number of mounted watercolours have been knocking around in my browser for a few years now, and are starting to look a bit tired.  What would happen, I wondered, if I tried to tart them up a bit?


Hyacinths I - before the makeover
© Teresa Newham

My least favourite is Hyacinths - the composition and colours have never felt quite right to me.  I thought perhaps a bit of cropping might be in order, but that wouldn't help with the colours . . .


selecting a crop
© Teresa Newham


I needed to practice on something, so I wetted the painting and carefully took off as much of the original colour as I could.  When it had dried, I mixed up strong washes of Transparent Yellow, Permanent Sap Green and Permanent Alizarin and threw caution to the winds.


have I gone too far?
© Teresa Newham

The result was intriguing - the green granulated wonderfully and a beautiful orange appeared as the Alizarin mixed with the yellow.  I painted the leaves with the green wash, added Cobalt Blue to a few of the flowers, and left the others as pale as possible.


leaves and flowers adjusted
© Teresa Newham


I'm pleased with the final result and keen to try again with a different painting.  I have specific ideas for revamping one or two others, so I'd better not let my enthusiasm run away with me!


cut down and mounted
© Teresa Newham

Friday, 12 January 2018

The Dawn of Time



The Dawn of Time
© Teresa Newham

For some months I've wanted to make another rock salt painting along the lines of Cosmos - something simple and tasteful in Raw Sienna and Cerulean Blue, perhaps with a touch of Cobalt Blue and some gold printmaking ink. I even had a name for it: The Dawn of Time.


the most difficult part - getting started!
© Teresa Newham

This week I gave it a go, using 300lb Arches watercolour paper.  I lobbed on a lot of water with a big brush, plenty of colour, and a great deal of salt.  Then I added some more water with a spray for good measure, and walked away to let everything dry off.


the first layer
© Teresa Newham

When I scraped off the salt the next day, I realised the Cerulean Blue didn't work on its own, but would add depth to any washes on top of it; so I added more water, more Cobalt Blue and so much salt I could almost taste it . . .


more Cobalt Blue and salt
© Teresa Newham

Once again I left the painting to thoroughly dry overnight.  When I prised off the second layer of salt - not an easy job, as it was clinging tenaciously to the paper - I realised a transparent green was needed. The only one to hand was Viridian, so I wetted the paper yet again, added colour, salt and spray, and stood the painting upright for a while to see what would happen.


Viridian enters the mix
© Teresa Newham

The following day I applied another, weaker Cobalt wash and did a lot of spraying and waving the whole thing about to get the final effect (no need for printmaking ink!). The original title, The Dawn of Time, is vague enough to mean almost anything.  So I kept it -  because I have no idea what this painting is about . . .


the final result
© Teresa Newham